The Rhetorical Image of Free

The Rhetorical Image of Freedom Essay In Phillis Wheatleys poem, To the Right Honorable William†¦, evokes a spirit of an American vision that undermines that of Thomas Jeffersons Declaration of Independence, by reminding the Earl of Dartmouth that all should have freedom but for those who have obtained it, should not forget to thank God. Thomas Jeffersons vision of America is almost the same as Wheatleys with one major difference, his version doesnt include African Americans nor for that matter, equality for women. The words expressed, written, and agreed upon by our founding fathers, regards the vital importance to being free from Britain but ignore that the word man can mean mankind, human and not just white male (Arnold 2) Wheatleys version of America has a major difference with Thomas Jeffersons vision of America, she speaks for equality of African Americans and yet as she illustrates, freedom should be thanked by acknowledging God (Lauter 1243). In 1765 when the first echoing of dispute to British authority became obvious to Parliament, the frontier in America consisted of thirteen separate colonies. Each had a resident legislature which served on provincial soil, but which served only at the pleasure of a governor appointed by the crown. By July 2, 1776, in Philadelphia, the Continental Congress adopted the resolution, introduced by Richard Henry Lee and John Adams, which actually declared independence from Great Britain. It declared, in part, that these United Colonies are, and of right ought to be, free and independent states, that they are absolved from all allegiance to the British Crown, and that all political connection between them and the state of Great Britain is, and ought to be, totally dissolved/ (Arnold 4) The Declaration, which explained why the Colonies that were now states declare their independence, after which was adopted by the Continental Congress July 4, 1776. The leading draftsman was Thomas Jefferson, assisted by John Adams, Benjamin Franklin, Robert R. Livingston, and Roger Sherman. Some of the text follows:We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty, and the pursuit of Happiness. That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed. That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or  to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness (GA 1). Jefferson, as others had complained that they felt King George of Britain had enslaved the people in the colonies and had forgotten their needs. When he wrote the crucial points of needing Life, Liberty, and the pursuit of Happiness, they were radical ideas written on paper but aired the need to justify that their Creator (God) was the authority who approved that men were created equal/ Hence, the reasoning behind the need to be liberated on their own terms (Arnold 2). Jeffersons message, forever written in our countrys history, uses strong language acknowledging the fact that people need to be free. On the other hand, history tells another story. Jeffersons vision of a free America is freedom for white men against their oppressor and failed to grant freedom to African Americans. Jefferson at the time argued that blacks were 3/5 humans and owned 200 slaves (7). He wasnt impressed with Phillis Wheatleys poetry or anything else she had to say (9). The Declaration of Independence immediately became the worlds foremost manifesto celebrating human rights and personal freedom. The fact of the matter is that America still had real slave issues to deal with (8). Wheatley, a former slave, wrote, the 1773 publication of Phillis Wheatleys Poems on Various Subjects established her as a young prodigy and defied the major justification for enslavement of Africans the European assumption of African inferiority. One of the best-known poems in the collection is dedicated To the Right Honourable William, Earl of Dartmouth, His Majestys Principal Secretary of State for North-America, Etc. Wheatley was encouraged by the appointment of Dartmouth, whom she had met in London. She knew that he was friends with the abolitionist Countess of Huntingdon and of the late Reverend George Whitefield, who had helped initiate the Great Awakening (VanSpanckeren 2). The poem opens with hopefulness that under Dartmouths blissful sway, the  colonies will see Freedoms charms unfold and experience an end to the reign of wanton Tyranny that meant tenslave the land. Those lines provide a subtle yet powerful segue into the next verse, in which she proposes that her love of Freedom and by the implication, that of the black Patriots, springs from the anguish Africans have known as slaves. In here lies vital information that she too loves freedom. To find this freedom, her parents in Africa, she notes, What pangs excruciating must molest, What sorrows labour in my parents breast?/ describe what they may have felt after she was kidnapped and brought to America. Perhaps including her experiences in the poem she reinforces that she too knows what it is like to come through the Atlantic and then be sold into slavery. She was a slave who found freedom. She has empathy for those had to make the difficult voyage to get here; fought to separate themselves from Britain because they felt enslaved and needed to be free just as the Declaration of Independence proposed (1243). The vision Wheatley wanted for America is just like that of Jefferson except for the fact that she wanted to include African Americas. The question she provokes to undermine the author of The Declaration of Independence would be how can he argue the need for freedom from bondage of your motherland and not free the African Americans he has in his own backyard (Arnold 8). For example, when she writes, And can I then pray others may never feel tyrannic sway?/ She asserts to the response that there are still enslaved people around. She wants them to obtain the same freedom America will have. She writes strong and eloquent words to the fact that she, like America, who were brought here and suffered with under the monarchy, was now free. Her journey on being brought here, although hard, still afforded her to overcome these experiences through finding God (1243). Jefferson mentions God as the Creator and permits his creations (man) to seek liberty (GA 1). Wheatley notes that through the celebration of finding liberty, one must thank God for it. The spirit of liberty and the disruptions of the Revolutionary era encouraged African American men and women to choose sides. They were either Patriots or Loyalists. They were a fundamental part of what this nation would become  (Arnold 10). This same spirit of liberty propelled Jefferson to write, The Declaration of Independence and Wheatleys, To the Honourable William†¦, which combines one ideal for America. This principle which the country was founded upon speaks volumes about the need of man to be free from their tyrant, whoever this tyrant is. Jefferson saw it as King George of England. Wheatley saw it as some people in power in America who didnt want African Americans free from their bondage. She used kinder words to express her opinions. In an ironic twist, Jefferson, whose final draft of The Declaration of Independence, was altered when he used very strong language referring to the Monarchy as enslaving the colonies and its people, helped establish equal rights for all minorities . It was his words that helped minorities win the case the first of equal rights in the Supreme Court in 1896, Plessy v. Ferguson, and the Supreme Court of the United States ruled that separate but equal accommodations were constitutional. (Hendrickson 2)Works CitedArnold, H. J. ed. The life of Thomas Jefferson. From Revolution to ReconstructionHTML project. http://odur.let.rug.nl/~usa/ (November 16, 2005)Lauter, Paul, ed. The Heath Anthology of American Literature: Volume A. Boston, MA:Houghton Mifflin Company. (2006)The Government Archives. http://www.archives.gov/. (November 5, 2005)Hendrickson, B. The Beginnings of the Civil Rights Movement. NAACP: Voices inAmerica.http://pblmm.k12.ca.us/projects/discrimination/AfricanAmerican/cvrights.html. (November 11, 2005)VanSpanckeren, Kathryn. Democratic Origins and Revolutionary Writers, 1776-1820:Phillis Wheatley (c.1753-1784). An Outline of American Literature. http://www.rlc.dcccd.edu/annex/comm/english/mah8420/ColonialPage.htm. (November 2,2005)

St. Augustin Essay -- essays research papers

From the analysis of St. Augustine Confessions and Beowulf, it is clear that the two authors, St. Augustine and the poet respectively, differ on their views of death, which helps to paint a better picture of the world that each writer lived in. In Augustine's writings, death plays a major role in life; it serves as the stepping stone to a greater existence in heaven. In Augustine's world, Christianity and God both play an important role in how death is viewed. In the poets writings we see a different perspective, one in which the time you spend on earth is of great importance; very little thought is given to life after death. Although God is mentioned and discussed throughout the writing, it is a very different perspective than the one shown by Augustine. In the writing of St. Augustine, the reader gets a small glimpse of what life was like in the Roman Empire in the forth century, and more particularly how death was viewed during this period. According to the Confessions, life, though valued, was just a time spent before God chose to bring your soul to heaven; contingent of course on the fact that you were a Christian. 'Yet in a moment, before we had reached the end of the first year of a friendship….you took him from this world (Confessions, 75).'; 'When all hope of saving him was lost, he was baptized as he lay unconscious (Confessions, 75).'; This passage about St. Augustine's friend helps to illustrate that as death drew near in Augustine's time, thoughts went to the after life in heaven. This hypothesis is furthered when Augustine writes about the death of his mother. 'And so on the ninth day of her illness, when she was fifty-six and I was thirty-three, her pious and devoted soul was set free from the body (Confessions, 2 00).'; Some might argue that the sorrow that Augustine describes at both the deaths of his friend and mother illustrates that death was not looked on as a passage to life in heaven, but as a very sorrowful and deplorable event. Though Augustine admits to feeling great sorrow at the death of those close to him, he goes on to point out that these feelings are merely of the imperfect body. When one lets go and listens to his soul he will see that all things begin and end with God. 'For the senses of the body are sluggish, because they are senses of flesh and blood…They are limited by their own nature (Confessions, ... ...n a rich shroud or embalmed with spices, nor did she wish to have a special monument or a grave in her own country…All she wanted was that we should remember her at your altar, (Confessions, 204).'; This is a very strong example of how different the worlds of St. Augustine and the poet were. From the limited view of the life presented by the authors of the Confessions and Beowulf, it is easy to see that the worlds in which they lived were very different. The world of St. Augustine seems well ordered and compact with cities and government officials. It seems to be a highly intellectual culture strongly influenced by religion and God. The world of the poet seems much different in nature than that of St. Augustine. The poet's world seems to be much less organized and vast, with various kings as opposed to government officials. It seems to be populated with many roaming bands, and the people seem to be much less intellectually and religiously motivated. It seems they lived simple lives in a constant search for glory and notoriety. With such different cultures it is not difficult to concede that their respective views on death would be as diverse as the cultures themselves.

Where Do Artists Get Their Ideas?

How does an artist really see the world? The real source of ideas for their masterpieces is a mystery. Many believe that the artists’ sources for their ideas are included in their surroundings and what they may have experienced. Well, those two things are the source of their ideas, but artists look at these things from a different perspective; much different from the normal point-of-view. To explain how artists decide on what to paint, there will be two paintings to be used as tools. Both of these paintings were made by artists from the Ancient world. The first painting, â€Å"Alexander the Great confronts Darius III at the Battle of Issos,† was created by Philoxenus of Eretria, a Macedonian artist who lived during the 4th Century B. C. , much later than Alexander’s rule (Smith 911). He was most likely requested to paint the masterpiece which was to be commissioned to King Cassander later on. With that statement, a clear reason for his decision to paint the masterpiece sprang out. During this period, artists were skilled-workers who had powerful clients; in his case, King Cassander. However, it still did not say why he chose that particular battle of Alexander the Great. By analyzing the painting itself, a person could easily conclude that it was recreated to assert Macedonia’s dominance over Persia. Besides that, Alexander the Great was the greatest Macedonian hero. This may very well be the reason why Philoxenus chose to paint the epic battle. It was simply fit for King Cassander, who was also known as the most powerful man in Macedonia during this period—Post-Alexander. A painting that defines power and Macedonia fits a man who defined power and Macedonia during his reign. This may have been Philoxenus’ idea after all. The second painting, â€Å"Battle of Centaurs and Wild Beasts,† was created by Zeuxis from Ephesus, a Greek artist who lived around 5th Century B. C. It was later on revealed that a mosaic of this was found in Roman Emperor Hadrian’s villa. Zeuxis was very well known for a host of Centaur paintings, one of which was the painting mentioned and the painting â€Å"Helen of Troy. Zeuxis’ central theme for this painting was the Greek mythological creature, the Centaurs, and their struggle against the wild beasts. It may have been an imagery of the imminence of the Persian invasion on Greek soil, since Xerxes was already amassing an army for the attack; the Greeks as the outnumbered but powerful Centaurs against the wild beasts as the invaders. Zeuxis lived around this period being knowledge of the upcoming or o ngoing Second Persian War. The painting, however, was most likely a symbolism of the First Persian War. One possible reason why he decided to paint this event could be because it was the most significant event at that time for most Greeks. He had the talent to portray the event on a panel or a wall, just as the artists at that time did, in an artistic way—sometimes with the use of characters similar to that of the painting. Unlike the first one by Philoxenus, this painting was more metaphorical or symbolic than direct. If the central idea was really about the Persian war—the first or the second—then it would be almost quite similar to that of the Alexander painting. These events were of great importance to the people and were great sources for flourishing art work, especially the heroes that played a major role in it. Heroism has greatly contributed to the formulation of ideas for the masterpieces. Philoxenus and Zeuxis, both artists from the Ancient world, depicted two great encounters by infusing them into art. Both were inspired by war against a common enemy but were separated by time. Both also told stories of heroism but were separated by earch artists’ painting styles. Works Cited â€Å"Kassander†. In2Greece. 11 March 2009. < http://www.in2greece.com/english/historymyth/history/ancient/kassander.htm> Mansfield, Elizabeth C. Too Beautiful to Picture: Zeuxis, Myth, and Mimesis. Minnesota: University of Minnesota Press, 2007. Philoxenus. Alexander the Great Confronts Darius III at the Battle of Issos. 11 March 2009 . Smith, William. A School Dictionary of Greek and Roman Antiquities. Boston: Little, Brown, and Company, 1870. Zeuxis. Battle of Centaurs and Wild Beasts. 11 March 2009 .

The Domain Of Practice Within A School Based Setting

The Domain of Practice Within a School-Based Setting Description of the Position Denholm and Watkins (1993) offer several models describing school-based child and youth care (CYC) practice, outlining the various methods by which CYC work operates and is integrated within schools. As is indicated in the description, the position offered is consistent with that of the â€Å"alternate program† model, which mostly â€Å"occurs in one specific location. The â€Å"†¦building and program are attached to an existing†¦school†, and the â€Å"staff are directly responsible to the school principal. Students in the â€Å"program (primarily adolescents) come from within this school population†, and the â€Å"child and youth care staff may or may not be direct employees of the school district† (Denholm, Chrest, Pylypa, as cited in Denholm Watkins, 1993, p. 85). 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Communication Is An Important Part Of A Business - 1470 Words

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Is Marketing Science or Arts - 2968 Words

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English literature 16th century free essay sample

The English language had almost no prestige abroad at the beginning of the sixteenth century. One of the earliest sixteenth-century works of English literature, Thomas Mores Utopia, was written in Latin for an international intellectual community. It was only translated into English during the 1 550s, nearly a half-century after its original publication in Britain. By 1600, though English remained somewhat peripheral on the continent, it had been transformed into an immensely powerful expressive medium, as employed by Shakespeare, Marlowe, and the translators of the Bible. The development of the English language is linked to the consolidation and strengthening of the English state. The Wars of the Roses ended with Henry VIIs establishment of the Tudor dynasty that would rule England from 1485 to 1603. The Tudors imposed a much stronger central authority on the nation. The royal court was a center of culture as well as power, finding expression in theater, masques, fashion, and taste in painting, music, and poetry. We will write a custom essay sample on English literature 16th century or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page The court fostered paranoia, and in this anxious atmosphere courtiers became highly practiced at crafting and deciphering graceful words with double or triple meanings. For advice on the cultivation and display of the self, they turned to Castigliones II Cortigiano (The Courtier). Beyond the court, London was the largest and fastest-growing city in Europe, and literacy increased throughout the century, in part due to the influence of Protestantism as well as the rise of the printing press. Freedom of the press did not exist, and much literature, especially poetry, still circulated in manuscript. The movement now known as the Renaissance unleashed new ideas and new social, political and economic forces that gradually displaced the spiritual and communal values of the Middle Ages. The Renaissance came to England through the spiritual and intellectual orientation known as humanism. Humanism, whose adherents included Sir Thomas More, John Colet, Roger Ascham, and Sir Thomas Elyot, was bound up with struggles over the purposes of education and curriculum reform. Education was still ordered according to the medieval trivium (grammar, logic, rhetoric) and quadrivium (arithmetic, geometry, astrology, and music), and it emphasized Latin, the language of diplomacy, professions, and higher learning. But the focus of education shifted from training for the Church to the general acquisition f literature, in the sense both of literacy and of cultural knowledge. Officially at least, England in the early sixteenth century had a single religion, Catholicism. The Protestant Reformation, with its emphasis on the authority of scripture (sola scriptura) and salvation by faith alone (sola flde), came to England as a result of Henry VIIIs insistence on divorcing his wife, Catherine of Aragon, against the wishes of the Pope. Henry declared himself supreme head of the Church of England (through the Act of Supremacy). Those like Thomas More who refused the oath acknowledging the kings supremacy were held guilty of treason and executed. Henry alike. His son Edward VI was more firmly Protestant, whilst Mary I was a Catholic. Elizabeth l, though a Protestant, was cautiously conservative, determined to hold religious zealotry in check. A female monarch in a male world, Elizabeth ruled through a combination of adroit political maneuvering and imperious command, enhancing her authority by means of an extraordinary cult of love. The court moved in an atmosphere of romance, with music, dancing, plays, and masques. Leading artists like the poet Edmund Spenser and the miniaturist Nicholas Hilliard celebrated Elizabeths mystery and likened her to various classical goddesses. A source of intense anxiety was Mary Queen of Scots, a Catholic with a plausible claim to the English throne, whom Elizabeth eventually had executed. When England faced an invasion from Catholic Spain in 1588, Elizabeth appeared in person before her troops wearing a white gown and a silver breastplate; the incident testifies to her self-consciously theatrical command of the grand public occasion as well as her strategic appropriation of masculine qualities. By the 1590s, virtually everyone was aware that Elizabeths life was nearing an end, and there was great anxiety surrounding the succession to the throne.